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卡拉扬 DG金版 共20张? [复制链接]

1#
今天 找出一张 很久之前买的 DG 卡拉扬 金版,1985年的录音,很多年没听了,找出来再听,又有惊起,我这次用耳机听,这样更清楚知道音色的密度,看看有没有早期录音那种模糊的感觉。结果听不出70,80年代很多碟里音色很蒙的现象。这个惊起就是 音色上跟近年的录音相差别不大,录音比起很多90年代其它交响乐的录音要好,只谈录音,不谈演绎,因为我只有这个版本的第一交响乐。卡拉扬 金版 好像一共有20张吧,其中是否有一张 与齐莫尔曼 演的 舒曼 钢琴协奏曲? 那张DDD的金版 现在还能买到吗?  听论坛有人说 金版 是卡拉扬所有CD中最好的录音。

另外,我在封面内页那里找到一张图,图里是 卡拉扬 在 音乐厅里指挥的,还有很多观众。如果这图是这张 第一交响乐的录音场地,这样说这张金版是 现场录音啊? 但是我一点也听不出是现场录音,觉得是录音室录音的。不过从碟里的动态听出乐队并不像图里有那么多人,这么多乐手演,应该是演布鲁克钠 的第四吧。哈哈。   大家知道这碟是 现场录音还是录音室的?如果是录音室的,怎么又会在内页放一张这样的图?这碟的音色好得不让我相信是现场录音!
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最后编辑贝多芬的乐迷 最后编辑于 2011-06-18 23:44:03
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2#

图就是图,不要做过多联想了。。。。。。DG的live recording会标清楚的。不过贝1啊,只听老卡绝对等于没听过贝1啊。贝的早期作品不是这种折腾法的。
老卡和小齐那个舒曼格里格还健在,买得到。
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3#

LZ放心吧,这个系列目前DG都有在发行中,你都可以买得到,只不过是EDC版,而且是正价80一张罢了。
加贝交全集的话,不止20张哦,LZ可以百度看看,有发烧友统计过的,貌似一共有30张左右
最后编辑古典之最168 最后编辑于 2011-06-19 00:36:47
多建一间学校,就少建一间监狱。
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4#

有这幅图不代表是现场录音啊

现场录音DG会在封底写明是LIVE  RECORDING的。
多建一间学校,就少建一间监狱。
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5#
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6#

就卡拉扬指挥过的贝多芬交响曲来说,还是63版最好。
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7#

30张吧 贝交就有5张了
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8#

这张不是现场录音。24K金版都是原来的版本经过室内调音来压片的~~金版数字味道更浓。虽然再播放上能给人震撼,但是不适合长时间听,会腻
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9#

金卡贝交应该有6张。
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10#

请问

原帖由 古典之最168 于 2011-6-19 0:33:00 发表
LZ放心吧,这个系列目前DG都有在发行中,你都可以买得到,只不过是EDC版,而且是正价80一张罢了。

请问 EDC版  和我上面买那张 的音色是不是一样?有什么区别? 难道只是 文字上注明的区别?  我想买张和我上面贴出来一样的版啊
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11#

EDC是新版再版,你这张24K金版就是EDC~~没有别的版本~
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13#

如果贝交全集算1张的话,共26张;算6张则共30张。
这个前两年我收过,当时“堂吉诃德”似乎已绝版,我在德国amazon淘的二手,别的都是在内地买的。
另外柴四可能也绝版了。
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14#

手头的都是made in Germany半银圈,盒子是金色的
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15#

Herbert von Karajan - Deutsche Grammophon's Karajan Gold Series (30 CDs)
Posted By : Flush | Date : 04 Sep 2007 21:46:00 | Comments : 48 |

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Herbert von Karajan - Deutsche Grammophon's Karajan Gold Series
Classical | EAC APE+CUE | 30CDs/7.6GB | Covers+Booklets | RS.com


BIOGRAPHY OF HERBERT VON KARAJAN

Born in Salzburg on April 5, 1908, Herbert von Karajan began studying the piano at the age of four and performed for the first time in public at a charity concert the following year. Karajan studied at the Mozarteum Conservatory in Salzburg from 1916 until 1926 and was taught by Franz Ledwinka, Franz Sauer and Bernhard Paumgartner, the last of whom encouraged him to be trained as a conductor. He continued his studies at the Vienna School of Music until 1929.

Karajan made his conducting debut in Salzburg on January 22, 1929. He first participated in the Salzburg Festival in 1933 and the following year conducted the Vienna Philharmonic for the first time. In 1938, he began his long association with the Berlin Philharmonic, culminating with his appointment as Music Director for Life in 1956.

Karajan was the Artistic Director of both the Vienna State Opera from 1957 until 1964 and the Salzburg Festival from 1956 until 1960. As director of the Vienna State Opera, he also brought about an important collaboration between the company and Teatro alla Scala, Milan, where he had conducted regularly since his debut in 1948. In August 1964, Karajan was appointed to the board of directors of the Salzburg Festival. Another milestone in Karajan’s career was his founding of the popular Salzburg Easter Festival in 1967.

Karajan’s long and distinguished recording career with the Berlin Philharmonic made him an international star. Over the years, these recordings consistently set new audio and musical standards against which other performances were judged. Among his many honours, Karajan received two Gramophone awards for recordings with the Berlin Philharmonic in 1981: Mahler’s Ninth Symphony, best orchestral recording; and the complete Parsifal, record of the year.

Karajan and the Berlin Philharmonic toured the world frequently and to great acclaim. In 1955, the orchestra made its first appearance in New York and in a national tour of the United States, all under Karajan’s direction, returning the following year and in many subsequent seasons.

Altogether between 1955 and 1982, Herbert von Karajan and the Berlin Philharmonic played 105 concerts in the United States. Other notable international tours included 11 visits to Japan -- the 1984 tour also took them to Korea -- and, in 1978, their first concerts in China. In addition, Karajan’s live concert broadcasts for German television from 1983 to 1986 enabled the Berlin Philharmonic to reach an audience well beyond the traditional concertgoing public.

From his early years as a conductor, he enjoyed a distinguished association with the Vienna Philharmonic in hundreds of concerts and recordings that also form an important part of the Karajan legacy. In 1959, he toured the world with the Vienna Philharmonic, including 10 concerts in the United States. It was with this orchestra that Karajan undertook what would be his final international tour in 1989, including three memorable concerts in New York.

Karajan also visited the United States with the Philharmonia Orchestra of London. In the fall of 1955, he toured the United States with the Philharmonia Orchestra, playing 24 concerts.

Throughout his career, Karajan championed the use of visual media and new audio technology to enhance musical expression. Beginning in 1965, Karajan produced films of concerts and operas in association with French film director Henri-Georges Clouzot. Always interested in improving the listening experience for his audience, Karajan quickly adopted technological innovations. In January 1980, for example, Karajan made the first digital recording of Mozart’s The Magic Flute, and at the Salzburg Easter Festival on April 15, 1981, joined Polygram, Philips and Sony in introducing the “Compact Disc Digital Audio System” to the music world.

Karajan founded Telemondial S.A.M. in 1982 to produce his complete repertoire again for video-disc, a new visual medium and an undertaking in which he had complete creative control of both vision and sound. In recognition of his achievements in the adoption of stereo sound in television and his commitment to the introduction of digital sound, Karajan was presented with the Eduard-Rhein-Ring by the founders of Hör zu magazine in 1984.

Karajan was the recipient of many honours and awards, including the “Médaille de Vermeil” in Paris, the Gold Medal of the Royal Philharmonic Society in London (other conductors who have received this award include Arturo Toscanini, Sir Thomas Beecham and Bruno Walter), the Olympia Award of the Onassis Foundation in Athens and the UNESCO International Music Prize.

Herbert von Karajan died in Salzburg on July 16, 1989.


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16#

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淘宝小店:http://roseknight-gao.taobao.com/
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17#

原帖由 Christchurch 于 2011-6-19 10:31:00 发表
30张吧 贝交就有5张了

第一批的金装卡拉扬是20张的,我记得是95还是96年买的,一个金色的纸盒子包装,相当精美,后来都出了,现在只剩一张格里格的了。而且我买20张包装盒内的CD盒子边框是金色的。后来出的单张盒子都是黑色的了。
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18#

原帖由 vansky 于 2011-6-20 1:14:00 发表
手头的都是made in Germany半银圈,盒子是金色的

对,我买的首版就是边框也是金色的。现在已经出了,原因吗,录音我不喜欢,
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19#

入门第一阶段是国内杂牌。。。。甚至是有磁带,第二批是NAXOS引进,第三批是记得小时候有个很精神的老头,就一直找,好像叫撒卡拉扬。陆续弄齐盗版金卡,录音感觉比买的拿索斯好很多,演绎也超越。一下子曲目有了认真听的感觉,听深入的感觉。我记得是瓦格纳维斯堡那段给我超级深刻的印象。
后来么逐渐和大家一样感觉其僵化,但是总的来说金卡最为老卡晚年的主要录音,是十分重要的。里面的一半以上都属于上乘演绎且超越之前他自己的录音。
当年主要有不少人在录音上是针对圣桑交3,阿尔卑斯交。其他的的确是有数码感但好很多,我奇怪的是老卡87年到88的勃拉姆斯和布8的录音一直没很好的处理,张力不够。至于布7的剪辑痕迹和背景音我还真从没自己听出来过,呵呵。
瞧一瞧,看一看啊!61490600上海古典群,,想来的多发言++
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20#

总体来说,金卡的音质绝不是卡拉扬为DG录得3次贝交中最好的,事实上,我个人觉得是最差的
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